Of course, there are differences between DAWs, and that is where you have to find out which one suits your personal preference and has the feature set that you need for your line of work. If someone can't produce professional results with any of the DAWs, then the problem is most likely the person operating the DAW. People don't seem to understand that all the DAWs are nowadays fully professional tools. A big portion of the Internet is filled with pointless discussions about which DAW is the best. The Grass is Not Greener On The Other Sideīefore we start, let's be clear about one thing. Since 2013, I have written 17 books for Logic in my best-selling book series "Graphically Enhanced Manuals" series that Apple endorses. Of course, I use other DAWs that complemented Logic Pro for specific film composer tasks, such as Reason, Ableton Live, and Pro Tools. I started my DAW journey in the mid-80s with Steinberg's Pro16 on a Commodore64 and was a Cubase user until 2004 when I switched to Logic Pro 7 as my main DAW (and never looked back). Unlike many Logic users who started with Logic version 1.0, I am a late convert. And that could be the end of the article unless we look into a few interesting details. The answer to the first part of the question would be " it depends" and the second part would be " definitely yes". In this article Edgar Rothermich answers the question by considering what logic does so well and where it drops the ball.
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